By promoting music educational methods among Youth workers, social workers, child care workers, teachers, Music Community will inspire young people to think and evolve through and with music despite the COVID-19 pandemic. focusing on: Supporting young people engage and connect through music The project will happen in the next 2 years, is funded by Erasmus+ programme and developed by 4 associations in different countries: tribul artistic (Romania) Euro-Arab Youth Music Center (Cyprus) Be Artive (Greece) Anassa Productions (France) Stay tuned and find out more about our activities and partners !
IntoMUSIC is an educational project that aims to develop new ways of learning and teaching music in public or normal schools, focusing on: up-scalling music teachers competences, elaborating new teaching methodologies, disseminating these methodologies through peer-learning and multiplier events, reinforce European cooperation in the fiels of music teaching.
The project will happen in the next 2 years, and is funded by Erasmus+ programme and developed by 4 associations in 4 different countries. partners: Trib'art Trib'art aims to develop, support and promote cultural-artistic manifestations by organizing festivals, events, concerts, training stages, exhibitions, conferences in collaboration with musicians all over the world EAYMC (Euro Arab Youth Music Centre) Euro-Arab Youth Music Center is an institutionalized body for further collaboration among youth&music organizations from European and Arab states, especially those working in the Eastern Mediteranean region ANASSA Anassa Productions aims to create artistic and cultural connections of an international level with a special focus on the European dimension; enhancing knowledge exchange, networking and artistic expression ABOUT MUSIC DIARIES
International Workshop Festival It is a unique event due to the symbiosis between two types of meetings: the convention type, of an artistic nature, focusing on specific musical instruments, and the traditional type of academic research conference, but focusing on a specific instrumental area. The organization aims to bridge the gap between artistic production and academic research, creating opportunities to combine artists’ and researchers’ knowledge, for mutual benefit. This year we will host the Artistic Research School ON LINE ( ARS) 2nd edition, for first time in Greece. The module was designed for:
The event will be hosted in Panorama ( Municipal Conservatory of Pylaia -Chortiatis) from 5 to 9 of July 2021 Music Diaries this year will host great musicians that will offer first of all concerts and available limited places for masterclasses with the artitsts Also will be master classes and educational programs for the following instruments: Piano, Flute, Clarinet, Composition, Chamber Music and Voice. Guest Artists Erato Alakiozidou-piano & chamber music | GREECE, Jorge Saldago Correia- ARS |PORTUGAL, Gilvano Dalagna - ARS| PORTUGAL Dimitris Leontzakos-Clarinet & chamber music |GREECE, Ellie Zacharopoulou Composition & piano |GREECE, Vassilis Kitsos- Composition |GREECE, Eduardo Frias'- Piano |SPAIN, Diego Steiner-Piano| ARGENTINA,, Ian Pace- Piano | UK, Danuta Augustyn-Violin |POLAND, Justyna Duda-Krein-Violin| POLAND, Carla Robora- Composition| ITALY, Rosita Piritore-Composition | ITALY, Ensemble in Residence - Israeli Chamber Project Tibi Cziger, clarinet Michal Korman, cello Yael Kareth, piano Guy Eshed, flute Matan Dagan, violin Special Guest | Javier Negrin OPEN CALL FOR COMPOSERS – OPEN WORKSHOP FOR MUSICIANS
Ανοιχτή πρόσκληση σε νέους συνθέτες ηλικίας 20 – 32 ετών Το Δημοτικό Ωδείο Πυλαίας- Χορτιάτη ,το American - Israeli Cultural Foundation (supported by Stavros Niarchos Foundation), και η αστική μη κερδοσκοπική εταιρία be artive (Διοργανωτές), σε συνεργασία με την Ένωση Ελλήνων Μουσουργών και το σύνολο μουσικής δωματίου Israeli Chamber Project απευθύνουν ανοιχτή πρόσκληση (open call) σε νέους μουσικούς δημιουργούς. Το Open Call αφορά πρόσκληση Ελλήνων και Κύπριων συνθετών, οι οποίοι θα καταθέσουν έργα τους διάρκειας 5’ – 10’. Οι συνθέτες θα πρέπει να επιλέξουν ένα σύνολο τριών έως πέντε ερμηνευτών με τα ακόλουθα όργανα: φλάουτο( ή piccolo φλάουτο/ένας ερμηνευτής), κλαρινέτο( η κλαρινέτο μπάσο/ένας ερμηνευτής), βιολί, τσέλο, πιάνο. Η επιτροπή αξιολόγησης θα επιλέξει τέσσερις (4) συνθέτες, που θα έχουν τη δυνατότητα να δουλέψουν μέσω διαδικτυακής πλατφόρμας τα έργα τους με το σύνολο μουσικής δωματίου Israeli Chamber Project παρακολουθώντας και παρεμβαίνοντας στις πρόβες, ενώ παράλληλα το εργαστήριο θα είναι ανοιχτό και για όλους τους συνθέτες και μουσικούς που θέλουν να το παρακολουθήσουν. Περισσότερες πληροφορίες και online αιτήσεις στην ιστοσελίδα του Δημοτικού Ωδείου Πυλαίας-Χορτιάτη. https://www.odio-pilaia-hortiati.com/ Οι συμμετοχές για την ανοιχτή πρόσκληση και το εργαστήριο είναι ΔΩΡΕΑΝ στο πλαίσιο υποστήριξης για τους Νέους Δημιουργούς και Ερμηνευτές. Η πρόσκληση θα ανακοινωθεί από τους Διοργανωτές την Δεύτερα 4 Ιανουαρίου 2021 και οι συνθέτες μπορούν να υποβάλλουν τα έργα τους με την διαδικασία που υποδεικνύεται παραπάνω από την 1η Φεβρουαρίου 2021 έως και την 21η Φεβρουαρίου 2021 στις 23:59 (ελληνική ώρα) Η επιτροπή αξιολόγησης των έργων είναι πενταμελής και συμμετέχουν οι: α) Tibi Cziger (μουσικός του Israeli Chamber Project), β) Talia Amar (συνθέτρια, διδάσκουσα στην Ακαδημία Μουσικής και Χορού της Ιερουσαλήμ), γ) Ερατώ Αλακιοζίδου (πιανίστα, Καλλ. Διευθύντρια του Δημοτικού Ωδείου Πυλαίας – Χορτιάτη), δ) Ιωσήφ Παπαδάτος (Καθηγητής Ιονίου Πανεπιστημίου, Πρόεδρος της Ένωσης Ελλήνων Μουσουργών), ε) Βασίλης Κίτσος (Συνθέτης – Μουσικολόγος). Η επιτροπή αξιολόγησης θα ανακοινώσει έως τις 28 Φεβρουαρίου 2021 τα ονόματα των συνθετών, των οποίων τα έργα θα ερμηνευθούν από το ICP. The growing unemployment rates have been one of the structural problems in the contemporary European societies. While the macro policies are not sufficient and create implications only in long term, there is an explicit need for rapid solutions to existing challenges by the involvement of different stakeholders. However, the economic crisis which has being experienced in Europe also increase the number of existing societal challenges. As a result, 23 million people are currently unemployed across the EU which is equal to the 10% of the active population. In this regard; providing new skills and jobs has been also taking place within the priorities EU 2020 strategies as a flagship initiative starting by 2010. Similarly, in 2008 EU has started New Skills for New Jobs initiative by the objectives of developing better matching between skills and labour market needs while bridging the gap between the worlds of education and work. Within this picture, based on the real life observations and also the existing researches, the sector of art and music might be accepted as one of the most fragile sectors which is directly open to the any kind of side-affects coming with the crisis. As a result, the graduates of these sectors face with the threat of unemployment or not to be recruited in appropriate fields. For instance, every year European Conservatories and University Music Departments graduate an ever-increasing number of students while the number of employment opportunities within the traditional European music establishment has either stagnated or declined. In the last decade and notwithstanding the the present economic predicament, supply has by far outstripped demand. There has, nevertheless, been a proliferation of new jobs within the larger music industry that require not only a traditional musical knowledge but also skill sets not offered by a traditional music education.
In order to cope with this challenge, art and music students ought to determine their job markets beyond the traditional frontiers such as only music schools, orchestras or public institutions by extending and enriching their skills and competencies. This kind of an approach taking art, music and culture to the focus, is also relevant with the strategies of the EU to provide growth and innovation. For instance, one of the three objectives of the European Agenda for Culture in 2007 was culture and economic growth, and Council conclusions on the contribution of the cultural and creative sector to the Lisbon strategy were adopted. OMEGA project was stemmed from the awareness that in contemporary business sectors, there is an explicit need for the employees from the sector of art and music by the changes in organizational management and social (corporate) responsibility understanding in business life. Todays business enterprises does not only need operational staff but also a permanent staff who can design group-team building activities within the company, to organize social activities, prepare and implement social responsibility projects by using art and music. This need has been increasing as parallel to the awareness of the companies about their social/corporate responsibilities towards their communities. In addition to different sectors, music and art industry needs team members who are capable to design art and music projects and manage them comprehensively by being competent in every phase and components including preparation and budget management in a concrete project cycle management approach.omega.yasar.edu.tr/ The soul of the accordion.
We turned to the inside of the instrument in naming the first international festival in northern Greece based around the accordion. Thessaloniki has a vibrant cultural life in which the accordion, during the last several years, has played an important role - both in classical and contemporary music and in folk music. We invited musicians from the most different musical environments to present some of the faces of the instrument: the accordion in today’s avant-garde, the accordion in rebetiko through the music of armonika, a lost instrument, and two accordions in realizing imaginative transcriptions of orchestral works of the classical repertoire. These concerts are accompanied by four different workshops/seminars: for adults who play the accordion for children who want to know about it for composers for those who wish to see the accordion from the inside For all who want to see the world of the accordion more closely. Navigate through the page of this website to learn more about the first international accordion festival of Thessaloniki. We look forward to seeing you all there!
Camino de Genere
Da un' idea di Riccardo Vaglini Generi e identità nelle arti no.1 Camino al Tagliamento (Udine), 9-11 marzo 2018C O M U N I C A T O S T A M P A Dal 2008 Kairòs organizza a Camino al Tagliamento (Udine) il festival Camino Contro Corrente, vetrina di musica e arti contemporanee caratterizzata da un taglio tematico libero e indipendente. A dieci anni di distanza, Kairòs è lieta di presentare oggi Camino de Genere, prima edizione di una rassegna ideata da Riccardo Vaglini che si svolgerà a Camino al Tagliamento dal 9 all’11 marzo 2018, dedicata ai generi e alle identità nelle arti. Generi e identità: il plurale è d’obbligo; plurale e internazionale è la ricognizione operata sulle varie discipline come musica, pittura, videoarte, teatro, danza, letteratura, cinema con ospiti e proposte che arrivano da Italia, Cile, Estonia, Grecia, Serbia, Stati Uniti; plurali e ambigue, mobili e contraddittorie le identità e i generi coinvolti e messi in campo. Con un avvio controcorrente, all’indomani della tradizionale Festa della Donna, Camino de Genere intende infatti sottoporre all’attenzione del pubblico la modalità stessa di sensibilizzazione sui nodi cruciali – quanto in larga misura irrisolti – di cui si discute durante le Feste e le Giornate, brevi finestre temporali dedicate ai soggetti più svariati che catalizzano, ma per un giorno soltanto, il Discorso Pubblico. In questo caso, le Feste e le Giornate dedicate alla Donna, contro la Violenza sulle Donne, contro l’Omofobia e Transfobia… Camino de Genere, pur in una cornice dal taglio e montaggio di eventi rapido e conciso, vuole interrogarci sulla reale efficacia di quel modello, e farci sospettare di essere di fronte a uno dei tanti aspetti di un consumismo che investe la circuitazione del pensiero altrettanto quanto quella delle merci. Nella premessa alla rassegna, Vaglini, in una elencazione di Feste e Giornate a tratti ironica e che farà forse risentire le categorie coinvolte, individua infatti nell’amnesia l’unica possibilità per procedere in quel calendario di buoni propositi: dimenticarsi della Donna a partire da ogni 9 Marzo, come del Lavoro a partire da ogni 2 maggio, può così rappresentare l’accettabile compromesso di una coscienza troppo presto volta all’auto-appagamento e troppo presto disposta a lasciarsi coinvolgere da ogni successiva quanto giustificata istanza sociale. Cosa può fare dunque l’arte? Stabilito che non può nulla da un punto di vista immediato e funzionale, può in realtà molto se riesce a incrinare abiti di pensiero e di sentimento consolidati, tanto più perniciosi se accettati acriticamente. Camino de Genere vale quindi da antidoto, in forma di trama molteplice di sguardi, sguardi di donne e di uomini sul mondo e sulle opere altrui, sguardi che ci chiedono di prendere posizione, e soprattutto di mantenerla a lungo. Sguardi che non sarebbero gli stessi se non incarnassero un’identità mai completamente definita, fatta delle infinite sfaccettature che comprendono il – ma che non si esauriscono nel – genere, l’orientamento sessuale, il ruolo richiestoci dalla società, il credo politico e religioso, l’agire pubblico e privato. In programma: Venerdì 9 marzo 2018 – Gabriele Grones, Pluralitas 40x30, mostra personale. Ore 19 Sala Esposizioni di Casa Liani, visitabile fino alla chiusura del festival – Francesca Scaini, En travesti, recital canto e piano. Ore 20 Teatro Comunale Sabato 10 marzo 2018 – Mirjana Karanović, Dobra žena (Una brava moglie), proiezione e dibattito. Ore 15 Auditorium Davide Liani – Stefano Bindi, Middlesex di Jeffrey Eugenides, incontro letterario. Ore 17 Auditorium Davide Liani – Sara Tozzato, Per Grazielle De Lazzari, azione teatrale. Ore 18 Teatro Comunale – Einike Leppik, Something is wrong, videoarte. Ore 19 Auditorium Davide Liani – Erato Alakiozidou, In Blue and White, concerto pianistico. Ore 20 Teatro Comunale Domenica 11 marzo 2018 – Sebastián Lelio, Una donna fantastica (Una mujer fantástica), proiezione e dibattito. Ore 15 Auditorium Davide Liani – Maddalena Lotter, Verticale. Poesia giovane nell’Italia della crisi, reading di poesia. Ore 17 Auditorium Davide Liani – Flavia Bucciero, Io chiara, Tu scura, danza. Ore 18 Teatro Comunale “Women Composing in Balkans” Call for Scores for women composers of Bulgaria, Greece, Romania. MethExis Ensemble, (Artemis Vavatsika - concert accordion, Alexis Pogrevnois - clarinet, Dora Alexiadou - violin, Iro Menegou - piano) The non-profit organization “beartive” in collaboration with the Laboratory for Research on Contemporary Music, Composition, Performance and Improvisation (LaReCoM-DMSA) of the Department of Music Science and Art of the University of Macedonia, Thessaloniki announces a call for scores addressed to young female composers from Bulgaria, Greece and Romania. Five works will be selected and will be performed by the MethExis Ensemble in a concert in September 29th 2018 in Thessaloniki. The project is funded by the Project Fund of the Cultural Management Academy of the Goethe-Institutes in Sofia, Thessaloniki and Bucharest. Deadline 30th April
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Συμμετοχές σε δράσεις του Άξονα 2 (Key Action 2) του ERASMUS+: 1.Opening Μore Employment Gates for Art and Music Students (OMEGA Project) Συντονιστής:
Εκπρόσωπος be artive Ερατώ Αλακιοζίδου περισσότερες πληροφορίες καθώς και το "Guidance and Course Content Book" για το Omega Project |
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